Ownership & rights
Master Ownership
Master ownership is ownership of a specific sound recording — the actual audio file — as distinct from ownership of the underlying composition.
In practice
Whoever owns the master controls how that recording can be copied, streamed, synchronised to video and licensed. A brand that owns the master of its sonic identity can change agency, platform or country without renegotiating anything. If you only hold a licence, control stays with the owner and can be withdrawn or repriced at renewal.
Real questions
What is the difference between the master and the composition?
The composition is the written work — melody, harmony, lyrics. The master is one recorded performance of it. Using a track commercially normally requires clearance on both.
Can I own the master but not the song?
Yes, and that is a common trap. If you own only the master, the composition’s owner can still claim rights over your use. A complete transfer covers both.
Do I get the stems when I own the master?
Only if the contract says so. Ask for stems explicitly if you plan to re-edit or re-mix the recording.
Paying for a recording does not mean owning it
Studio invoices, producer fees and download purchases transfer files, not rights. Ownership passes only through a written assignment signed by the current rights holder.
Related terms
Own the track instead of renting it
Sonify Music sells exclusive buyouts of catalogue tracks: one payment, full ownership, the track removed from sale and a named certificate of ownership.